Artwork for Sale

Online order handling is processed securely by Paypal. You do not need a Paypal account to order. They accept all major credit cards. Simply click the “add to cart” button to add an item to your shopping cart. Please note: Shipping is extra and a quote will be given before the purchase is finalized, based on weight, value and distance to be shipped. Please email me to receive a shipping quote at sharonlehnert@gmail.com

 

November, 1998 Acrylic on canvas board, 16” x 20” For a few years, my sister Yvonne Brioux and I would go to the annual agricultural fair at the Canadian National Exhibition fair grounds in Toronto. It cold and dusty, and thousands of people came by and watched us paint. Sometimes one would even buy one of our paintings. Some thought we were part of the exhibits. We always enjoyed the weekend and brought home many fresh paintings.

Two Chickens, Royal Winter Fair. November, 1998  $65  Acrylic on canvas board, 16” x 20”

Two Chickens, Royal Winter Fair. ©November, 1998

$65

 Acrylic on canvas board, 16” x 20”

For a few years, my sister Yvonne Brioux and I would go to the annual agricultural fair at the Canadian National Exhibition fair grounds in Toronto. It was cold and dusty, and thousands of people came by and watched us paint. Sometimes someone would even buy one of our paintings. There were those who thought we were part of the exhibits. We always enjoyed the weekend and brought home many paintings of farm animals.





 

March 2000 $150 Acrylic on canvas, 24” x 20” When I was alone in the Vero Beach Mooring field, I often took my paints and went over to the nearby cultural centre. Sometimes artists gathered to paint models, and sometimes I just looked out a window or painted on the beautifully maintained grounds.

Palm Trees, Centre for Theatre and Art. March 2000 $150. Acrylic on canvas, 24” x 20”

Palm Trees, Centre for Theatre and Art. ©March 2000

$150

Acrylic on canvas, 24” x 20”

When I was alone in the Vero Beach Mooring field, I often took my paints and went over to the nearby cultural centre. Sometimes artists gathered to paint models, and sometimes I just looked out a window or painted on the beautifully maintained grounds.





 

October 1996 Acrylic on canvas, 18” x 24” It was a beautiful fall day and the leaves still clinging to the oak trees were mirrored in the calm water of the creek. I stood at my easel, looking toward the creek and the Royal Botanical Gardens, trying to get the mood onto my picture.

Grindstone Creek, October 1996. Acrylic on canvas, 18” x 24”

Grindstone Creek, ©October 1996

Acrylic on canvas, 18” x 24”

It was a beautiful fall day and the leaves still clinging to the oak trees were mirrored in the calm water of the creek. I stood at my easel, looking toward the creek and the Royal Botanical Gardens, trying to get the mood onto my picture.


 

c1980 Acrylic on canvas, framed, 21” x 25” The instructor had placed this branch of green apples that he had picked earlier under a hot light and the leaves were wilting.

Green Apples  c1980.  $95 Acrylic on canvas, framed, 21” x 25”

Green Apples ©1980

$95

Acrylic on canvas, framed, 21” x 25”

The instructor had placed this branch of green apples that he had picked earlier under a hot light and the leaves were wilting.





 

c1995 Acrylic on Masonite, framed, 20” x 16” Noni was a pretty but slightly petulant-looking young woman. I think that is how your face goes when you have to hold it in one expression too long.

Noni c1995  $65  Acrylic on Masonite, framed, 20” x 16”

Noni ©1995

$65

Acrylic on Masonite, framed, 20” x 16”

Noni was a pretty but slightly petulant-looking young woman. I think that is how your face goes when you have to hold it in one expression too long.





 

c1998 Acrylic on canvas, 14” x 28” Some hay, loaded up a long time ago, that never made it to the barn, and the machinery abandoned there with it, and the view across the rolling hills to another barn in the distance. A peaceful afternoon, enjoying and recording the moment back in tme when something caused this farm activity to stop.

Abandoned Hay Wagon  1998 $55. Acrylic on canvas, 14” x 28”

Abandoned Hay Wagon  ©1998

$55

 Acrylic on canvas, 14” x 28”

Some hay, loaded up a long time ago, that never made it to the barn, and the machinery abandoned there with it, and the view across the rolling hills to another barn in the distance. A peaceful afternoon, enjoying and recording the moment back in time when something, perhaps death, caused this farm activity to stop.





 

Abandoned Field c1996 Acrylic on canvas, 11” x 14” A favourite spot for our Dundas Valley School of Art painting class in the late nineties was this area south of Ancaster, Ontario. It was late fall and the red dogwood bushes were showing off the colours of their branches, now that the leaves were gone. This was one of those quick little sketches that is almost an abstract painting.

Abandoned Field c1996  $75 Acrylic on canvas, 11” x 14”

Abandoned Field ©1996

$75

 Acrylic on canvas, 11” x 14”

A favourite spot for our Dundas Valley School of Art painting class in the late nineties was this area south of Ancaster, Ontario. It was late fall and the red dogwood bushes were showing off the colours of their branches, now that the leaves were gone. This is one of those quick little sketches that is almost an abstract painting.





 

Green Apples, Red Pear

Green Apples, Red Pear $150

 Green Apples, Red Pear ©1977

$150





Hot summer day

Hot Summer Day ©2002 $130 Acrylic on canvas, 12″ x 24″

Hot Summer Day  ©2002 

$130

Acrylic on canvas,  12″ x 24″

Trees, hammock, shadows, Dundas Valley School of Art, original, one of a kind, Sharon Lehnert

Everyone in the class was hot and looking for a piece of shade from which to paint. I found mine. The dark patches of shade under the trees looked so cool, in contrast to the grass in the glaring sunlight.





View of Tortola from Norman's Cay, BVI

View of Tortola from Norman’s Cay, BVI

View of Tortola from Norman’s Cay ©February 1997

$150

Acrylic on canvas  12″x 24″

Norman Island, Norman’s Cay, BVI, British Virgin Islands, Benares Bay, Tortola, Robert Louis Stevenson, Treasure Island, original, one of a kind, Sharon Lehnert

In the winter of 1997, I chartered a boat in the British Virgin Islands for six weeks. Friends, escaping Canada’s winter, came and went. We sailed, snorkelled and ate in many of the delightful restaurants. Happy Hours were celebrated on board or in local watering holes. From Benares Bay, I painted this picture.





Corn field in Autumn

Corn field in Autumn

Corn Field in Autumn  ©October 1997

$80

Acrylic on canvas     11″x14′

Corn field, Dundas Valley School of Art, autumn, original, one of a kind, Sharon Lehnert

It was early October. Our Dundas Valley School of Art class was painting at Westfield Pioneer Village, near Hamilton, Ontario. I had finished my painting of a quaint old building, and wanted to paint something with no straight lines in it. This ripe field of corn, rustling in the breeze, caught both my eyes and ears.

Children and sometimes adults get lost in cornfields in Southwestern Ontario, where the fields can be hundreds of acres big, and the corn grows to seven feet high. In this painting the corn has just ripened and mysteries lurk therein.





April 13, 2008 Acrylic on canvas, framed, 12” x 16” Richard and I often anchor here on Lucky. The dinghy ride to town is comfortable, but we are away from the closely-packed boats in the mooring field. And I’m close enough to shore to see something to paint there.

North anchorage, Stuart, Florida $95

North Anchorage, Stuart, Florida,  ©April 13, 2008

$95

Acrylic on canvas   12″ x  16″

Florida, Stuart, North Anchorage, Saint Lucie River, original, one of a kind, Sharon Lehnert

It was the spring of 2008. Richard (my partner of two years) and I were returning from a winter spent in the Florida Keys on his boat Lucky. We had dropped our hook in the North Anchorage, which was lined with beautiful houses, built in the Spanish style. I got my paint box out.





Rough Water $95

Breaking Waves, Sandy Beach $90

Breaking Waves, Sandy Beach  ©2009

$90

Acrylic on Canvas  12″ x 16″

Burlington Beach Strip, breaking waves, sandy beach, original, one of a kind, Sharon Lehnert

It was a cloudy, windy day and the waves were rolling over my feet as I painted. Far in the distance, beyond the range of this little painting, I could see the CN Tower in Toronto. Our Dundas Valley School of Art Class was a mixed group It included my seventy-five -year -old mother, a painter all of her life. There was also a woman whose long blondw hair had been replaced by a cap of tight blonde curls, following her chemotherapy. We all were immersed in our painting, and we all had wet feet.





Card Catalogue: Arc Welded Metal

Card Catalogue   ©1973

$175

Arc-Welded Steel  24″ x 12″

Arc welding, steel, card catalogue, libraries, University of Guelph, original, one of a kind, Sharon Lehnert

In 1973 I was thirty, and a librarian. Access to books in those days was a card catalogue that dominated the main floor of every library. Clerks spent hours a day filing title, subject and author cards alphabetically in drawers that had rods running lengthwise across the bottom. The cards had holes in them and when I was done checking the filing, I pulled the rod out, the cards dropped down and I put the rod through the lined-up holes in the cards. The drawers weren’t always full, and the cards could be flipped back and forth, sometimes standing up straight and sometimes lying down. If  you are over fifty, you might remember them.

In the evenings, I was studying art at the University of Guelph and took a metal sculpture course. I found a pile of cut steel the size of catalogue cards and voilà, a section of a card catalogue that is covered with the rust that makes it look like an ancient artifact, as  card catalogues have become.





The Old Fish Cleaning Station , from Keys Boatworks, Marathon, Florida Keys $300

The Old Fish Cleaning Station , from Keys Boatworks, Marathon, Florida Keys $175

The Old Fish Cleaning Station , viewed from Keys Boatworks, Marathon, Florida Keys ©January 8, 2005

$175

Acrylic on canvas, 20” x 16”

Old fish cleaning station, Marathon, Florida Keys, original, acrylic, one of a kind, Sharon Lehnert

I was at a dock in Keys Boat Works on the Gulf side of the Keys when I painted this. TowboatUS had delivered my boat My Detour and me there after the latest breakdown of my motor. My stern was facing an old trailer park where all of the trailers had been evicted. The only thing left was this old fish cleaning station and some floats, caught in the tree roots under the dock. I sat in the shade in the cockpit of my boat and painted it. When I returned to this spot two years later, the cleaning station was gone and there were condos in the trailer park. But there had been an economic downturn and most of them were empty.





March 2009 Acrylic on Masonite, framed, 12” x 16” For several years after we met, Richard and I cruised in the Intracoastal Waterway and the Florida Keys. We usually set out for the Bahamas, but something always happened to keep us from crossing the Gulf Stream. Richard had a quadruple bypass and wasn’t strong enough one year. The old motor became unreliable and we had to replace it. One year it was too windy and there was no window to cro4ss when we were ready. I had to return to Canada when my father passed away. And other things happened. So in the spring, we would spend a lot of time anchored in Saint Lucy Canal, waiting to go into storage at Indiantown Marina. And this was the view while we waited.

March 2009. Acrylic on Masonite, framed, 12” x 16” $95

St. Lucie Canal, Florida  ©March 2009

$95

Acrylic on masonite board  12″ x 16″

St. Lucie Canal, Indiantown, Stuart, Florida, Okeechobee Waterway, original, one of a kind, Sharon Lehnert

Every late fall or early winter, boats leave the Indiantown Marina and head out the St. Lucie Canal for points south, and return in the spring. They pass grazing cattle, the back lawns of the houses scattered along the shore, and some heavily wooded sections, where the trees reach out over the water.

I met Richard in 2006, and joined the annual parade with him. We usually set out to go to the Bahamas but things kept happening. Richard had a quadruple bypass one year. The next year the old motor had to be replace, a big job for Richard. The year after that there was no window to cross. Then I returned home because my father was dying. Each spring we would spend some time anchored in St. Lucie Canal, and this was our view.





Acrylic on canvas, 12” x 16” This painting was done from the cockpit of Lucky. I was cruising with Richard, the single-hander I met in 2005. We were waiting for Richard’s friend Jürgen to arrive and had done the laundry and had cold showers the day before. It was a Sunday and noisy little power boats were anchored all around us, playing Spanish music. Those on board were mostly cheerful Cubans with their families, splashing into the water off their boats and having a great time. Our stern was facing the shore, giving me this view of an old gnarly mangrove, and the roots reaching out into the water along the high tide line.

Mangrove at Low Tide, No Name Harbor, Key Biscayne, Miami ©March 2, 2008 $90

Mangrove at Low Tide, No Name Harbor, Key Biscayne, Miami  ©March 2, 2008

$90

Acrylic on canvas  12″ x 16″

Mangrove, tides. No Name Harbor, Miami, Florida, Intracoastal Waterway, Florida Keys Cruising, acrylic painting, original, one of a kind, Sharon Lehnert

I was cruising with Richard, the singlehander I met in 2006. We were waiting for a friend of Richard’s to arrive so we could head south in the Keys. I t was Sunday and little power boats were anchored all around us, the partiers on board playing loud Spanish music, splashing into the water off their boats and having fun. Our stern faced the shore towards this old knarly mangrove, the roots reaching out into the water along the high tide line.





2000 Acrylic on canvas, 17.5” x 20”, framed A dreary early winter day, but if I looked closely I could see the muted colours there. Those rolling hills kept beckoning, and there was no wind, so it wasn’t too cold to paint.

Late Fall, Ingstar Farm, November 2000. Acrylic on canvas, 17.5” x 20”, framed. $195

Late Fall, Ingstar Farm  ©November 2000

$195

Acrylic on board  17″ x 29″ includes frame

Autumn, Dundas, Ontario, Canada, Dundas Valley School of Art, acrylic, original, one of a kind, Sharon Lehnert

Our Dundas Valley School of Art class was out painting in the field. There we were, scattered around, after finding a place where we wouldn’t be standing in mud or snow. My eyes were drawn to the hilly fields rippling off into the distance, and the fall colous showing through as the snow melted.





c1997 Acrylic on Masonite, framed, 24” x 28” I often ran by this little bay between Burlington and Hamilton. I enjoyed painting here because no cars drove across the little bridge from which I painted the water, the wild grapes, the cliff on the other side of the water, and the trains with passed through on top of the cliff.

Wild Grapes, Valley Inn Road, 1998. Acrylic on Masonite, framed, 24” x 28”

Wild Grapes, Valley Inn Road, framed  ©1998

$245

Wild grapes, Valley Inn Road, Burlington, Ontario, acrylic, original, one of a kind, Sharon Lehnert

On a warm day in late summer I propped up my easel with my back to the Royal Botanical Gardens. I was on the edge of the Valley Inn Road, looking out over a little inlet hidden at the east end of Burlington Bay. The Valley Inn had disappeared, likely in a fire, many years before. All was quiet, except when this freight train lumbered through on the tracks high above.





NOTE TITLE CHANGE April, 2002 Acrylic on canvas, 12” x 24”This is another one of the Vero Beach landmarks that I painted whi;e awaiting crew in Vero Beach.

The Women’s Club

The Women’s Club, Vero Beach Florida ©April 2002

$95

Acrylic on canvas  12″ x 24″

Vero Beach, Florida, Women’s Club, heritage building, acrylic, original, one of a kind, Sharon Lehnert

I was staying on a mooring at Vero Beach while I waited for crew to arrive.. One day I took the bus into town and stood my easel up across the road from this lovely old heritage building.





Coneflowers August 1998 Acrylic on canvas, 20” x 24”, framed - 24” x 27.5” My mother and her best friend Myrtle often came to stay with me in Hamilton in the summer and we would paint together every day for a week. On the day this was painted, we were in the Royal Botanical Gardens, and at the end of the week, Mom took the coneflowers home with her. Now Mom is gone and the coneflowers have come back to me by default. I love in a small house and the walls are already full.

Coneflowers

Coneflowers  ©August 1998

$150

Acrylic on canvas,  23″ x 28″ includes frame

Coneflowers, Royal Botanical Gardens, Burlington, acrylic, original, one of a kind, Sharon Lehnert

They are both gone now, and, looking back, I realize it was a very special time. My mother and her best friend Myrtle often came to stay with me in Hamilton in the summer and we would paint together every day for a week. On the day this was painted, we were in the Royal Botanical Gardens, in Burlington, Ontario. At the end of the week, Mom took the coneflowers home with her. Now Mom is gone and the coneflowers have come back to me by default. I live in a small house and the walls are already full, so they need a new home.





 

Sea Grass

Sea Grass  © circa 1980

$85

Cotton Tapestry,  14″ x 18″ includes frame

Weaving, Tapestry, original, one of a kind, Sharon Lehnert

For several years I lived in Guelph, which had an art department that teamed up with other faculties. Home economics was one of these, and this small tapestry, in which I turned the weaving on its side, was one of the results.





c2000 Acrylic on canvas, 15” x 27”, framed Sharon Lehnert, original, one of a kind. It was a short stroll from my B&B on Inchbury Street to Dundurn Park, where this impressive gate was located. It no longer kept anything in or out, but a beautiful path led through it to the castle.

Rolph Gate, Dundurn Park c2000. Acrylic on canvas, 15” x 27”, framed. Sharon Lehnert, original, one of a kind.

Rolph Gate, Dundurn Park, Hamilton, Ontario  ©2000

$290

Acrylic on Canvas,  15″ x 27″ includes frame

Rolph Gate, Dundurn Park, Hamilton, Ontario, original, one of a kind, Sharon Lehnert

For many years I lived in Hamilton, Ontario, one block from Dundurn Castle. This entrance to the castle must have been very imposing when it was the only way into the property where the castle loomed. Now it is just ornamental, but it was always an elegant beginning to my daily runs around the top of the bay.





Canada Geese, Princess Park, Hamilton Ontario

Canada Geese, Princess Park, Hamilton, Ontario  ©2000

$290

Oil pastel on paper,  18″ x 23.5″ includes frame

Canada Geese, Princess Park, Hamilton, Ontario, original, one of a kind, Sharon Lehnert

One of my favourite places to paint was Princess Point, a fresh green park where Environment Day was always celebrated. I t overlooked the waterway known as Coot’s Paradise, where people canoed in the summer and skated in the winter.





Woman Washing Hair, Welded metal $250

Woman Washing Hair, Welded metal

$250



c1995 Acrylic on canvas, 20” x 24” I was not very far along on this painting when it started to rain big heavy drops that ran down through the paint. I packed it in for the day. Later I went back to the painting and liked the effect of the rain, so I finished it. Voila!

Tree in the Rain c1995. Acrylic on canvas, 20” x 24”

Tree in the Rain ©1995

Acrylic on canvas, 20” x 24”

I was not very far along on this painting when it started to rain big heavy drops that ran down through the paint. I packed it in for the day. Later I went back to the painting and liked the effect of the rain, so I finished it. Voila!


 

c1984 Acrylic on canvas, 20” x 24” I have painted Webster’s Falls several times, and love looking up at it from the bottom of the ravine. But up on top, in the park, is this fantasy-like structure which incorporates the trees and wood around it. This pavilion is a work of art.

Cedar Pavilion c1984. Acrylic on canvas, 20” x 24”

Cedar Pavilion ©1984

Acrylic on canvas, 20” x 24”

I have painted Webster’s Falls several times, and love looking up at it from the bottom of the ravine. But up on top, in the park, is this fantasy-like structure which incorporates the trees and wood around it. This pavilion is a work of art.


 

February 5, 2010 Acrylic on canvas, 11” x 14” This small bay was just between Whale Cut and Windley Key, in the Florida Keys. It was protected all around by keys and sand bars. It was tricky to get into and usually we had it all to ourselves, but we were in a very windy few days of weather (25 to 30 knots) and another couple of boats had joined us. We had lots of downtime and were very close to the mangroves, so I painted this little sketch.

Mangroves, Sponge Boat Bay. February 5, 2010. Acrylic on canvas, 11” x 14”

Mangroves, Sponge Boat Bay. ©February 5, 2010.

Acrylic on canvas, 11” x 14”

This small bay was just between Whale Cut and Windley Key, in the Florida Keys. It was protected all around by keys and sand bars. It was tricky to get into and usually we had it all to ourselves, but we were in a very windy few days of weather (25 to 30 knots) and another couple of boats had joined us. We had lots of downtime and were very close to the mangroves, so I painted this little sketch.


 

1998 Acrylic on cardboard, 16” x 20” My sister Vonny and I always painted lots of animal portraits from our day at the agricultural fair each year. Some were purchased by passers-by at the fair, But this one came home with me.

1998, Acrylic on cardboard, 16” x 20”

©1998

Acrylic on cardboard, 16” x 20”

My sister Vonny and I always painted lots of animal portraits from our day at the agricultural fair each year. Some were purchased by passers-by at the fair, But this one came home with me.


 

c1980 Acrylic on Masonite, 24” x 20” When I painted this, I was also weaving pictures, so it seemed a natural thing to paint a picture of a weaving. The warp is the black background and the weft is the lighter colours that come forward.

Warp and Weft  c1980  $220 Acrylic on Masonite, 24” x 20”

Warp and Weft  ©1980

$220

Acrylic on Masonite, 24” x 20”

When I painted this, I was also weaving pictures, so it seemed a natural thing to paint a picture of a weaving. The warp is the black background and the weft is the lighter colours that come forward.




Share this article...Share on FacebookTweet about this on TwitterShare on Google+Pin on PinterestEmail this to someone

Leave a Reply

You must be logged in to post a comment.